Chwaraeon

We were brought in just eight weeks before transmission to turn an ambitious Red Bull concept into a global live entertainment event for Disney+.

The challenge was huge: Max Verstappen hunting down 100 creators, athletes and celebrities around Silverstone in go-karts, live, with no established broadcast format or reference point to follow.

We were responsible for shaping and delivering the show, combining the jeopardy and unpredictability of elite sport with entertainment, gaming and creator culture. We developed unprecedented access to Max, following him until seconds before the race and speaking to him while he competed. All 100 drivers were mic’d, with innovative live audio allowing competitors to talk to each other during the action.

FPV drones created a dynamic ‘game view’, while simplified graphics and brand made the format instantly accessible. Mo Gilligan brought mainstream entertainment appeal alongside genuine motorsport expertise, with five additional language versions extending its international reach.

The result was a fresh take on live sport, showing what’s possible when world-class production, technology, access and entertainment collide.

Since 2025, we’ve been the broadcast partner for Roland-Garros, a five-year commitment to bringing the world’s premier clay-court Grand Slam to audiences everywhere.

Every court. Every match. Every moment.

Working from Paris and London, we deliver the host broadcast and all non-live content across 16 courts, 21 days and almost 900 matches. Broadcasters also receive our fully produced international super signal and behind-the-scenes feeds, with 2,500 hours of live coverage ready to air.

Beyond the final point

We create 2,000 pieces of non-live content, including daily highlights, review shows and the official tournament film. Our digital-first programming meets fans on whichever screen they choose, and our venue screen production keeps the atmosphere electric for those courtside.

Built on people

It takes a crew of almost 900 to deliver this Grand Slam. Their scale, precision and creativity are what make Roland-Garros look and feel like nothing else.

In 2017 we took over the BBC’s ‘The NFL Show’. At the start of our tenure, the programme had ~100k regular viewers; three years later, this number was 1 million.

We then went on to make Channel 5’s ‘NFL End Zone’, the most popular NFL programme among under 18s in the UK.

Now, we produce ‘Weekly Blitz’ and ‘The Breakdown with Jason & Osi’ for NFL UK’s YouTube channel, two social-led roundups of everything around the league for a UK audience.

Our approach to NFL programming, whether on linear TV or YouTube, has always been to blend sport and entertainment.

We have a reputation for helping sports grow, both in popularity and audience. We are extremely proud of our work within women’s rugby, having produced the Women’s Six Nations for more than 10 years.

This partnership led to an opportunity to produce coverage for the biggest women’s rugby tournament in the world, the 2025 Women’s Rugby World Cup.

Our broadcast coverage for the BBC was centred around giving the audience what they wanted and catering to a new emerging online audience who consume the game online, with digital producers on site at all match days throughout England.

The custom digital content we created, combined with live clipping and digital re-versions of linear assets, often distributed on BBC Sport socials before they even went on linear, delivered beyond expectations. It proved to be a major success and outperformed other content on the BBC’s social media accounts.

All the live programmes were delivered remotely from Whisper’s fully accessible gallery at the Tramshed in Cardiff.