Sport

Since 2025, we’ve been the broadcast partner for Roland-Garros, a five-year commitment to bringing the world’s premier clay-court Grand Slam to audiences everywhere.

• 1BNviewers worldwide
• 900+matches across 16 courts
• 2,500+hours of live coverage produced
• 2,000+non-live content pieces created

Every court. Every match. Every moment.

Working from Paris and London, we deliver the host broadcast and all non-live content across 16 courts, 21 days and almost 900 matches. Broadcasters also receive our fully produced international super signal and behind-the-scenes feeds, with 2,500 hours of live coverage ready to air.

Beyond the final point

We create 2,000 pieces of non-live content, including daily highlights, review shows and the official tournament film. Our digital-first programming meets fans on whichever screen they choose, and our venue screen production keeps the atmosphere electric for those courtside.

Built on people

It takes a crew of almost 900 to deliver this Grand Slam. Their scale, precision and creativity are what make Roland-Garros look and feel like nothing else.

Copy to come.

We have a reputation for helping sports grow, both in popularity and audience. We are extremely proud of our work within women’s rugby, having produced the Women’s Six Nations for more than 10 years.

• 10+ yearsWomen’s Six Nations
• 2025Women’s Rugby World Cup

This partnership led to an opportunity to produce coverage for the biggest women’s rugby tournament in the world, the 2025 Women’s Rugby World Cup.

Our broadcast coverage for the BBC was centred around giving the audience what they wanted and catering to a new emerging online audience who consume the game online, with digital producers on site at all match days throughout England.

The custom digital content we created, combined with live clipping and digital re-versions of linear assets, often distributed on BBC Sport socials before they even went on linear, delivered beyond expectations. It proved to be a major success and outperformed other content on the BBC’s social media accounts.

All the live programmes were delivered remotely from Whisper’s fully accessible gallery at the Tramshed in Cardiff.

Copy to come.

In 2017 we took over the BBC’s ‘The NFL Show’. At the start of our tenure, the programme had ~100k regular viewers; three years later, this number was 1 million.

• 5.6Mviews on YouTube across shows
• 1M+viewers on the NFL Show
• 10xgrowth in UK NFL viewership
• 100+episodes and counting produced online

We then went on to make Channel 5’s ‘NFL End Zone’, the most popular NFL programme among under 18s in the UK.

Now, we produce ‘Weekly Blitz’ and ‘The Breakdown with Jason & Osi’ for NFL UK’s YouTube channel, two social-led roundups of everything around the league for a UK audience.

Our approach to NFL programming, whether on linear TV or YouTube, has always been to blend sport and entertainment.

• 100M+impressions at every PFL event
• 50M+video views across PFL MENA
• 300Kfollowers gained in less than 3 years
• 100+world-class MMA fights produced

We were brought in just eight weeks before transmission to turn an ambitious Red Bull concept into a global live entertainment event for Disney+.

• 500M+combined social media following
• 100influencers on the track trying to beat Max
• 240M+views across social media for Red Bull
• 871%increase in engagement after broadcast

The challenge was huge: Max Verstappen hunting down 100 creators, athletes and celebrities around Silverstone in go-karts, live, with no established broadcast format or reference point to follow.

We were responsible for shaping and delivering the show, combining the jeopardy and unpredictability of elite sport with entertainment, gaming and creator culture. We developed unprecedented access to Max, following him until seconds before the race and speaking to him while he competed. All 100 drivers were mic’d, with innovative live audio allowing competitors to talk to each other during the action.

FPV drones created a dynamic ‘game view’, while simplified graphics and brand made the format instantly accessible. Mo Gilligan brought mainstream entertainment appeal alongside genuine motorsport expertise, with five additional language versions extending its international reach.

The result was a fresh take on live sport, showing what’s possible when world-class production, technology, access and entertainment collide.

Copy to come.

Copy to come.

• 123+hours of rugby produced for S4C
• 180K+viewers on S4C in 2026
• 190K+viewers for the U20 games in 2026
• 11iconic rugby stadiums visited

With S4C

Copy to come.

Copy to come.

• 6BNimpressions across all platforms
• 70M+views across social media
• 32M+viewers throughout the competition
• 80+hours of live broadcast

With Kings League and SURJ

Copy to come.

• 1.5M+total views across the entire series
• 20K+likes across all main YouTube videos
• 1,840interactions and comments
• 15countries visited across 5 continents

With FIFA and DAZN

• 100M+viewers internationally
• 6M+engagements across social media
• 150countries showing the broadcast
• 19luxury films created

With FIFA

• 25Kspectators watching in UAE
• 1,600athletes competing
• 244teams participating
• 40+hours of coverage produced by us

With Black Orange Live and XDubai

• 2M+views across social media
• 35Klikes on YouTube
• 1,300+comments and interactions

With Channel 4 and Formula 1